In Miami, making live theater work during the pandemic

Judy Woodruff:

We want to now raise the curtain on an experiment to keep theater alive, while propping up a local economy amid the pandemic.

Miami, one of the country's top tourist destinations, has been hit hard by COVID and the travel shutdown. Officials at Miami International Airport, where some 90 percent of tourists arrive, say traffic is off by more than half. And that affects hotels, restaurants, and hot spots like Miami Beach.

Somehow, though, live theater is happening. In fact, Miami is now home to the largest live production in the country right now.

Jeffrey Brown has our look for our ongoing arts and culture series, Canvas.

Jeffrey Brown:

Making theater in the time of pandemic, it's the goal of Miami New Drama in a project called "Seven Deadly Sins," seven 10-minute plays presented to a limited outdoor audience, performed by actors inside empty storefronts.

Venezuelan-born Michel Hausmann is the company's co-founder and artistic director.

Jeffrey Brown:

The five-year-old company, described by Hausmann as a theater of color proudly representing its diverse city, normally performs a lively mix of new plays and classics in the Colony Theatre, a restored 1935 art deco gem in Miami Beach.

When COVID forced its closure, Hausmann had a revelation while riding his bike along nearby Lincoln Road, Miami Beach's famed pedestrian street of shops and restaurants.

Jeffrey Brown:

Empty storefronts, the impact of the pandemic and earlier economic shifts, and now a new kind of theater, performed twice during the evening.

Audience members gather at an outdoor bar aptly named Purgatory. They're divided into small groups of no more than 12, each with a guide, and move storefront to storefront, play to play, with socially distance seating and earbuds that connect to wireless receivers. There is a kind of screen involved, but Hausmann wanted to get beyond the virtual experience.

Jeffrey Brown:

It's also an artistic outlet and source of income for artists in need of both.

Hausmann commissioned seven acclaimed playwrights, five Latino, two Black, to write short plays performed by one or two actors.

Jeffrey Brown:

Yes?

Yes. Yes, sign me up.

Jeffrey Brown:

Playwright, filmmaker and actor Carmen Pelaez, a Miami native, performs in one play, "Memories in the Blood," written by Dael Orlandersmith.

Jeffrey Brown:

And she wrote another, titled "Strapped."

Jeffrey Brown:

Strict protocols are followed, including weekly COVID tests.

Backstage, actors prep in pods' with their own ventilation system. Those performing in pairs are also isolating together.

Actor:

It only takes one shattered storefront for you to shake your head in condemnation.

Actor:

And now you gather here today to try and take me down. Well, go ahead. My foundation is 400 years' thick.

Carmen Pelaez:

Right, because, if one of those statues could actually speak and be full-throated in the defense of themselves, we would also actually see what they were defending.

So, when you see the banality and the cruelty of what they were actually defending, are you willing to still see that statue up?

Michel Hausmann:

The way I look at it, theater has been around for 2,500 years. And even at the most horrible moments of humanity. There are different and new ways of telling stories that don't necessarily mean that we all need to gather in a building, and that the lights dim, and then there's intermission.

The theater, it is a very vast art form that is very generous and it's very big. And we just need to keep exploring the outer rims of it.

Judy Woodruff:

So good to see some good things coming from this pandemic, in this case, something creative.

Thank you, Jeffrey Brown.